Plus if your wanting any sort of a modern metal sound, GR just does not really have it without a LOT of work and tweaking.Īnother big difference is it seems to me that presets I have created in GR work for or really close for many different guitars and players. Of course sometimes this is whats needed, other times it just kills the mood or "flow" GR I seem to tend to spend time fiddling as their are SO many options and variations to choose from. The control room pro is capable of a LOT!! Its just that I can quickly get a solid tone dialed into Eleven. The Vari comp does sound quite well, but WOW is it a CPU hog!!!!! For so many other sounds, the sims just seem to kick butt!!!! I have access to quite a large amp collection if I do need something else from time to time. I then have pretty much all the mics these sims use in their modeling. I should have kept the Dual Rec though, I have been missing it. Its unreal how good it sounds and how versatile it is. I just found myself using and the client wanting the Mark V most all the time since I got it. I DI all guitars I record and if I reamp, I go back through the clients amps, or I own a Boogie Mark V and a Boogie recto cab and a Marshall 1960, and until recently a Dual Rec, Road King, and a DR. Its a bit hard to visualize from the description! The Vari-comp is killer!Ĭould you breakdown your reamping setup a bit. Really happy to see all the other NI plugs back. Something about it is almost excessively forward, which can be a really nice balance against all the tube stuff. A lot of time when the overall thing needs that ULTRA dry almost cab-less sound blended in Guitar Rig often wins out here. Mute the one already used and pass to an other one, without having to change anything to your setup, just changing the I/O routing of your tracks.Įxcept I will say I have a monster real-time reamping rig (DI to 1:8 reamp splitter normaled to 8 tube pres normaled to 8 mixer chs normaled to 4 tube amps to cabs with a cool springs on the aux send), and I always record the DI as well. Once the tone finding and comparison is done (as you can play the recorded part only once and listen to all the combinations at the same time) all you have to do is mute the ones you're not using (inside of the plugin) and then replay your part while recording the new track. Create an aux, place guitar rig in it, assign the input from your main audio track and create your tones. At the same time with the control room pro, being able to set up different mic, mic placement, cab combination is a time saver to be able to build layers of guitars. I rarely use any of the ready made presets at all. Very true, but it's strengh (gtr) and also a lot like 11r, lies in making you're own presets. But when it is time to just play guitar, or just need a raw guitar tone, Eleven wins every time. That being said, I have a few things I do like Guitar rig for and the 5150/6505 sim is my favorite in there. It also has no Boogie Mark sim and the Recto leaves a bit to be desired. How many variations of the Van Halen sound and the Marshall JCM varieties do I need!!!! It is severely lacking for metal type of tones. SO many of the rock sounds, amps, and presets are very 80's based. Gtr rig 5 and Eleven are completely different for the most part to me.įor just a straight up gtr tone, Gtr rig does not touch eleven (software or rack) IMO.īut when its getting into crazy routing, toys, and effects, Guitar Rig is KILLER.
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